Weapon of Choice "Illoominutty", Herbie Hancock "Monster"

WEAPON OF CHOICE - ILLOOMINUTTY

Year: 2001

1.Nuttwave [3:44]5.7 Mb

2.Strawberry Sights [5:04]7.6 Mb

3.Wondersound [4:33]7.2 Mb

4.Open Wide [3:46]6 Mb

5.N and out the Dough [4:24]6.6 Mb

6.Wild Kingdom [5:08]8 Mb

7.Roots [3:56]6.2 Mb

8.Oodles [4:16]6.7 Mb

9.Name that Toon [3:47]6.5 Mb

10.F Sharp [5:06]8.2 Mb

11.Soda Pop [5:51]9.9 Mb

Download Weapon of Choice - Illoominutty (mp3)

Weapon of Choice "Illoominutty" Album Review

I like dee Spite in U!!!!
My favorite band for the past 7 years!!! Great new cd. Funny interesting positive lyrics! Fonky az ish! Rockin jazzy hoppin fun fonky music to move your rump to. The best nut for your buck! Don't hesitate... penetrate into w.o.c. you will nut regret it! piece ;)

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HERBIE HANCOCK - MONSTER

Year: 1980

1.Saturday Night [7:12]11.8 Mb

2.Stars in Your Eyes [7:03]10.2 Mb

3.Go for it [7:33]12.7 Mb

4.Don't Hold it in [8:02]13.1 Mb

5.Making Love [6:24]9.6 Mb

6.It All Comes Round [5:50]9.1 Mb

Download Herbie Hancock - Monster (mp3)

Herbie Hancock "Monster" Album Review

This is not a Disco album!!
For the record the Disco era pretty much died in late 1979. This album is a very energetic funky dance album. Incredible funky latin tune Saturday Night which features Santana and Sheila E killing it on percussion! A very underrated effort from Herbie. Seems like people only want their artists to play only one style of music. Herbie proves he can do it all effectively.

Video Nefertiti

This tune has such a beautiful and somewhat haunting melody and interesting changes. I've had horn players tell me that piano players are the only ones who can solo on these changes. I don't know about that, but I do know I enjoy playing this tune. That's Ron Carter playing bass on the backing track and now I have a new respect for how much of a monster bassist he is. Those triplet figures of his make me use every ounce of concentration to figure out where "one" is. There is some controversy about this tune and it's author but I'm pretty positive that Wayne Shorter wrote this but often Miles gets credit (like in the Real Book). Whoever wrote it, it's a great tune.

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